Media

Tuesday, April 21, 2009

Appendix

Key terms
Chapter 1.1
Analysing films
Genre and Audiences
Preliminary Task
Main Task
Class work inspiration for my film
Classical conventions
Primary plan
Initial draft of idea two
Script breakdown of Third draft
3rd draft of main film
Main film
Film Certificate
Case Study
Pre- production plan
Constructing the production
Thriller conventions - how they relate to my film
Story idea feedback
Editing program
Opening sequence 1,2,3
Costume, props, setting, mise en scene
Short general survey
Evaluation
Storyboards
Sound creditations
First preliminary idea -Blind date & storyboard
Final film

Powerpoint presentation

Azzees Minot
The Coopers Coborn and Company school
Main task PowerPoint evaluation

In what ways does my media product use, develop or challenge forms and conventions of real media products?

The main theme within this film is the idea of the mental disease of schizophrenia engulfing the mind of a young student due to pressures and strains of the world. It explores the theme of expectations, how trying to collectively adhere to all of them can tear a student or anyone to bits, mentally and physically. This mental breakdown, forces the protagonist to want to be someone else for a chance of escapism and ultimately conjures up someone to fit the role of who she wants to be in life.
The creativity of this storyline mainly stemmed from myself trying to analyse the problems I have in ordinary life and being able to adapt it into a thriller. When developing this idea I stumbled onto the fact that I actually prefer to watch thrillers that have a psychological aspect to it. This particular genre attracts me most, due to the complex storylines it has and the craft in the way the creator reveals them, sometimes in chorological order, retrograded sequence or even just sporadically.
Once I had got the rough edges of my film I reminisced the films that I had watched and enjoyed. Skeleton Key, Fight Club and Gothika were films that I thought of instantly, then I went about analysing their good techniques, based on what I could remember. I chose not the watch the entire films again only the openings, so that my storyline didn’t merge into theirs.
The convention of extraordinary events happening in ordinary situations is an element that I feel would be a useful aspect to my film, to make those who watch my film to remember it every time they go into a bathroom similar to the one in the film. Then I would fill that my opening is a successful one and has served its purpose.


In what ways does my media product use, develop or challenge forms and conventions of real media products?


The ‘Skeleton Key’ has a complex storyline that, is only revealed at the end and it is one that throughout the film, excites. The protagonist endeavours to make good perish over evil and when the audience thinks that, that is the case, we are rudely awakened to the bitter truth. It is this sort to tension, in which I want the audience to be taken through, within the entire film
Fight club, follows the same concept of an all time low for the protagonist and it is here which stems the introduction of another character who serves as the protagonist’s alter ego. It is only toward the end of the film whereby the audience are lead through the character’s point of realisation at the same time as the character.
These two film’s influenced me the most, of drafting up a complex idea and allowing the audience to be the position of the character and get the shock when they get it as I feel that these films are the most captivating and the most thrilling.


What thriller conventions does my film conform to?



•To get a better grasp of how I should portray my film and to make sure it followed the right guidelines of the conventions of a thriller, in class our group learnt about genre’s and were given this as a core template:
•A crime at the core of the narrative (often murder, but not necessarily).
• A complex narrative structure, with false paths, clues and resolutions
• A narrative pattern of establishing enigmas which the viewer expects to be resolved.
•A protagonist who is systematically dis-empowered and drawn into a complex web of intrigue by the antagonist.
• Extraordinary events happening in ordinary situations
• Themes of identity
• Themes of mirroring
• Themes of voyeurism
•Protagonist with a ‘flaw’ which is exploited by the antagonist
• Titles often reflect an aspect of the pro/antagonist’s psychological state.
• There is often a scene near the end of the film in which the protagonist is in peril
• Mise en scene which echoes/ mirrors the protagonists’ plight.


Whilst comparing my film to the stated conventions above, I believe that there are various aspects which entitle the opening sequence to conform to this genre.
The most prominent feature which allows the film to abide by the thriller conventions is the fact that the narrative is extremely complex and is also structured to leave the viewers with a pattern of enigmas. The establishing shots of my film depict the fact that this plot is centered on an ordinary location but is infused with extraordinary events (low – angled medium shot of the door, swinging opening by itself). Within the opening of the film, the focal prop that is used is the mirror- to indicate something sinister and also to highlight the antagonist, who in reality cannot be seen through mirrors. Once the audience is introduced to the antagonist, they immediately are shown the theme of voyeurism through the close up shot that panning left, which revealed the antagonist watching the protagonist. However some of the other aspects of the thriller are not able to be illustrated through the two minute time constraint which means the viewers are not able to witness the “ scene near the end of the film in which the protagonist is in peril” and are also not presented with the “ protagonist’s ‘flaw’ which is exploited by the anatagonist.” In addition to the fact that the film represents the opening, the last bullet point about the mise en scene echoing the protagonist's plight, is not able to be witnessed due to the way in which i structured the form of the play. I decided to start with the middle first, but is actually the present.
To conclude, i believe that the opening addressed some of the conventions and some didnt but i feel this is justifiable due to the type of genre the opening in aimed to mirror. Moreover as it is a psychological thriller, there would be not much difference between the two slightly different genre's if my film followed everything in which the general thriller required.


How does “Alone” develops or challenges conventions?


(Once I analysed the initial draft. I decided to alter a few bits to make it much more interesting.)
This film adopts the genres of a teen movie with a supernatural/ psychological thriller twist. It is about a female student called Shania who has undiagnosed schizophrenia which everyone believes is just a bad anger problem that has unnoticeably formed due to extreme stress. The pressure has formed because she is an intelligent girl with high ambitions to become and TV and film director but her mum won’t allow her unless she obtains A grades. It’s not until her so called anger problem, spirals out of control and regrettably forces her do something that is not within her nature and will leave her in front of unforgiving jurors. Her truth is revealed by the least expected circumstance but will anyone understand her problems, will she reach her goals?
1. CCTV camera mode= person standing over a body which is slumped on the floor with a pool of blood the person turns and looks directly at the camera
2. (point 1) fades into Extreme close up of the security camera
3. Track closer to focus on the lens (extreme close up)
4. Fade in an image of the characters (female’s) eye (merge into the number 2)
5. Zoom out of the eyes and reveal the whole body of the character (in a daze)
6. Flick to shot reverse shot with profile in frame and Shania is still focused on the camera….We hear one of her voices.
7. Go into a memory which is an argument with her mum. It is interrupted with the voice of the teacher merging over the mothers
8. We then are back to the classroom scene where the teacher tries to gain her attention and starts making rude comments
9. Point of view shot staring at the teacher – and we hear two of the thoughts in Shania’s mind
10. Shot reverse shot- behind the teacher as he makes a derogatory remark …so we can see the anger/ reaction in her face.
11. Point of view shot- voices get louder and the teachers face gets closer
12. Side shot of Shania getting mad and standing up to the teacher.
13. Wide shot and the front of the class observing the other children and the incident.
14. Shot reverse shot – behind Shania she sees the boys who owns the camera laughing and making face at her behind the teachers back and turns on him.
15. Wide shot from the front of the class where a female on the left shouts out tells Shania to keep quite and an argument kicks on with them
16. wide shot from the front – as Shania walks out of the classroom in a rage and makes a menacing comment
17. Monologue as the screen goes black
18. point of view shot- as she throws water on her face
19. Looks in the mirror while voices are still talking to her
20. Travelling shot- to the classroom
21. point of view shot- glances back to the body and then turns to the camera
22. notices that the tape holder is open


How does “Alone” develops or challenges conventions?


I decided not to go with this idea because, there were too many scenes involved, for a two minute opening of film and it would be quite difficult to find the right cast for the film. I realised the film idea that I had concocted, would actually last for approximately 5 or more minutes.
Before I came to the stage below I think I drafted 2 or more designs and even started filming until I realised I had to create another one.
27h February 2009
Today when speaking to one of my teachers I realized that the footage I had previously filmed for my ‘Main film’ would not be adequate for the coursework because when it edited it would be too long and the beginning would not capture the depth of my psychological thriller. Instead the two minute footage would confuse the audience and not capture the whole idea. In saying that, I have not decided to delete anything or discontinue with the completion of the film, as it would be useful to the show reel that I am working towards to create, intern I have conjured a new idea for the beginning that would entice the audience whilst grasping a section of the plot.
The new idea for the opening is:
-First we see the protagonist standing in front of the mirror gazing at herself (alone in the reflection- which will be a behind the shoulder shot)
-Then the protagonist looks over her shoulder for the audience to see a her alter-ego standing behind her
-She looks back to the mirror whilst her alter- ego stands there watching her intensely and emotionless, though not having any affect on the other girl.
- That fades out into a sequence of different types of security cameras, gradually the sequence getting quicker until it blacks out and the beginning of my original film starts.

Do the thriller conventions I have used indicate a sub- genre?


From when first drafting my film; I was already aware of the fact that it will follow the conventions of a psychological thriller.
Taken from Wikipedia:
(which states) A psychological thriller: In which (until the often a violent resolution) the conflict between the main characters is mental and emotional, rather than physical.
This is identical to my plot line except the part which states “(until the often violent resolution)”. The protagonist and antagonist are constantly at war with there opinions and normally is a power- struggle, but towards the middle, they reach mutual reckoning and understanding and this is then juxtaposed with ending which is a continual conflict.


How I analysed “Skeleton Key” and “Gothika” to influence my opening sequence?


Due to the fact that “YouTube” didn’t allow me to watch the opening of ‘Fight club’ I had to result in using another film to influence my opening sequence, because I need to revert back to the film on a regular basis and upload the opening onto my blog and I wasn’t sure of how I would be able to perform this operation with a DVD.
“Gothika”, gave the me inspiration to create the titles simply but effectively, which would not discredit the plot of the film. Also simple camera shots could also can also be used to capture all that needs to be seen and heard. From the opening scene, we are initially directed to view this woman recounting something and we are forced to watch her because we are presented with a “Point Of View” shot however I don’t think it would be clear to identify the protagonist, through this short scene. The two women’s conversation is then presented to the audience, with a combination of POV’s and shot reverse shots and then a shot that incorporates both characters from a side profile adhering to the 180 degree rule. From the opening titles there is music which creates suspense through its crescendos and chromatic sounds. This film mainly helped me with creating the opening titles and how I would incorporate the action seamlessly.

“Skeleton Key” There is an J – cut audio which then slowly goes a shot with the protagonist sitting down and speaking whilst the camera starts from a mid shot level and pans up to reveal her face. It was at that moment, in which I thought was a good technique which create suspense from the beginning of the film. It was only through the post- production stage which inspired me to want to create a voice- over (like Skeleton- key) at the beginning but that would be a soliloquy of my protagonist’s thoughts. However, I was not able to contact the actresses in time nor be able organise a shooting day that would take into account everyone’s arrangements.


How does my media product represent particular social groups?


The protagonist within my film are presented as an ordinary school child, that gets shouted at. She is a girl who appears to be self- conscious, - hence why we see her in the mirror, she looks sometimes too deep into situations. Although it’s not apparent from the first two minute’s, she is actually an extremely hard- worker.
The social groups who this is aimed at is mainly students and that is the reason why I thought it to be appropriate to make the target audience be aimed at the same sort of market. But ultimately the idea and initially beginning does not tie the film down to any one particular social group at all and any aged person watching can identify to this particular time in their life and enjoy it.

There aren’t any designed camera angles, editing techniques, or audio tracks incorporated , that is set out to specifically limit the target audience or social group. The typical stereotype of young teenage Essex girls altering their clothing to appear provocative has not be highlighted here nor has the coarse cockney dialect.


What kind of media institution might distribute my media product and why?


Due to the fact that Internet is taking over, all over media intuitions, I think it would be wise to advertise my film on common web pages such: Msn, Yahoo, Google, AOL in order to try and publicise the film.
Socialising networks such as Bebo, Myspace, Facebook and Twitter are orgainsations that are viewed by people of all ages but I would as for my product to be shown to audience’s above the ages of 12 because I don’t think it would be suitable for any ages younger and it is from this age, they are likely to go out to the cinema and watch the film. #
I would also try and distribute the product to music channels, as it would attracting the captive audience that I am look for. Seeing as subconsciously I believe I have targeted a larger proportion of the female sector, I would put some poster advertisements within some magazines, such as Look, More, Heat.
Although it could sound quite enthralling, I don’t think I would use the radio institution because, I believe the amount of young listeners are now declining, so it could actually be a waste of money to advertise on this medium.

Who would be the audience for your media product?


I thought initially that students and young teenagers would be the best captive audience for my film due to the fact that it was centred around teenagers between the ages of 13- 18. I selected this range because the catalyst for the problems of the protagonist stem from pressure: from the home, from school, friends and boyfriends. So I thought that the age range listed above would be able to relate to them much more.
Though I would think I made a film that both men and women (boys and Girls) could enjoy equally, I think due to the fact that the two protagonists are girls, I have subconsciously aimed it more at the female market. I believe this because they may be more inclined to make relevance of the storyline to themselves. I also conducted a short survey to get a general understanding of what people want to see within their film.

Short survey to understand what type of movie’s young teenagers in Coopers Coborn and Company school enjoy of 25 randomly selected in a pattern on 1 in every 6

•Are you:
•Male 12
•Female 13

•How old are you?
• 12 – 13 3
•14- 15 2
•15- 16 5
•16- 17 10
•17- 18 5

•What type of films do you like to watch most?
•Horror 1
•Thriller 1
•Action 8
•Chick flick 2
•Comical 4


What have you learnt about technologies from the process of constructing the media product?


For the post- production Stage, I used the editing software Serif. Which revealed to be relatively easy once I read the short editorial. When ‘capturing’ the footage, initially I was not aware of the area on the computer, in which the footage should be save onto and this caused me major problems. When I saved the footage in the wrong folder I was not able to play the unedited film with the aid of sound with the footage becoming corrupted and playing at an ultra slow speed. I remain stuck in this situation for many weeks until, I started messing around with the audio tracks and found a solution. I was required to first save it into the correct place and then I inserted another audio track, muted the existing on and found the exact same vocal voices that I needed but used them on audio track 2. I continued doing this and once the sound was working, I then decided to change the sequence of the edited footage around to make it more captivating. I then ended up with my final piece.
Another problem with this same software, or just the computer, was that every time I wanted to export the file to a another format to compress it, like Mpeg, it would take the same length of time the film lasted for, but when it was time to upload this film to Blogger or YouTube it would take 10 times the actually film would last for and even longer.


Looking back at my preliminary task and discuss what I feel that I have learnt in the progression from it to the main task.


Looking back over the preliminary task, I think I shouldn’t have changed my idea so many times and worry about what the storyline was about. Instead I should have focused more on creating simple shots which captured the image I was trying to identify and highlight as important aspects.
In the second draft of my preliminary film I didn’t give the actors any set lines to learn, and in retrospect I should have organised what they were going to say, due to the fact that without it, editing was a more complicated and a gruelling process then I had first envisaged.
I also would have liked to use the sound and editing techniques I had learnt later in the course to enhance the overall image of the film. However I prioritized my time to focus on the main task instead.
At the beginning of the course all I knew was to pick up a camera and film footage. I also knew how to use a boom mic, if necessary. However due the fact that our camera didn’t have the facility, I was learning from the basic level. Then I learnt more about camera shots and rules within the film industry, e.g. 180 degree rule and 35 degree rule. I also have the learnt the effect that sound has on music and all of the different editing techniques e.g. Jump cuts. I have also learnt more of the Serif’s techniques and how to operate them e.g. Split screen.


Monday, April 20, 2009

Final film

First preliminary idea - Blind date & storyboard







Sound accreditations

The sound that i used for my film, all came from the site:
'freesound.org'

1178: nicStage – Guitar string ominous
1280: Plagasul – arpeggio5lop
2425: Andrew Duke – eerie piamo01
2855: Nathan shadow – horr ambient 001
3264: Jovica Dronetail 08
7262: Poised To Glitch – Viral vocoded flick
13849: adcbiclye – 8
18631: Walter Odington – female deep breathing
22698: Dj Chronos – Loop
18169: Jake Williams- Footsteps on hard floor indoors
22350: studiorat – scream boom 01
26766: Walter Odington –bath tap off
28366: Gengis Attenborough 008 War 2

Storyboards



Above is the initial storyboard that was drafted after the second idea.







above is the initial storyboard in which i set for the first main task.

Evaluation

Overall I think I done a good job in managing to create a thriller for teenagers aged 12/15 and above. I aimed to create a psychological thriller and believe I was able to capture the relevant aspects which enabled it conform to such a genre. I created a piece which was ambiguous on so many levels that, the audience should want to know what is going on, or what is about to happen.

Through a workshop class of sound, I was shown a website that allowed anyone to download anti copyrighted music, which just minimal conditions. Within the same class I learnt that adding a range of subtle or unsubtle tone to a piece at one time can create different feelings within the audience, so I tried this and ended up using between 7- 12 tracks in the piece, but some are extremely subtle and other are diagetic sounds that the audience generally expected to hear but was caught ‘clean’ by the camera microphone.

The more I watch the film the more I notice and want to take out, change, or incorporate within it: I notice a continuity mistake; on the corner of the sink table, there is a drink bottle and then later in the scene there is a tissue roll. I would like to change a shot of when the two characters initially are revealed to be standing next to each other to a steadier shot seeing as it was a bit wobbly before. I would like to incorporate a voice from the opinion of the antagonist, to give a different sense of dynamics within the two characters
In conclusion, working on the opening of a two minute film, has been extremely stress, but also a very rewarding experience, to witness the film finished close to your own personal satisfaction. However I am proud of the work I have produced and glad I have learnt vital lessons at an early stage to I can only improve. Plus the new techniques I have learnt, has also inspired me to complete an even better product next time.

Short general survey

Short survey to understand what type of movie’s young teenagers in Coopers Coborn and Company school enjoy of 25 randomly selected in a pattern on 1 in every 6

Are you:

Male 12
Female 13

How old are you?

12 – 13 3
14- 15 2
15- 16 5
16- 17 10
17- 18 5

What type of films do you like to watch most?

Horror 1
Thriller 1
Action 8
Chick flick 2
Comical 4

Costume, Props, Setting, Mise- en Scene

Alone - Main opening

Within the opening, there were no obvious items in which I needed; to aid the theme or storyline of my film, so i didn’t include any. The costumes where an easy aspect to create, due to the fact that my story was based on a school girl natural settings of a school and I thought it be easiest to make the main characters wear simple black and white school uniform, minus the crest, so that it would not create problems if someone forgot the item with the crest on shooting days. As the location of the main scene was in a bathroom and due to the fact that my film is a psychological thriller there was no need for the setting to be adapted in anyway.

Opening Sequence 3 - Donnie Darko

Donnie Darko

Openings with titles that then fades into an establishing shot in which we can hear general atmos’ of the outside side which birds chirping and something which sound like a train in the distance. The camera pans left and moves continually and slowly down a curved road with sound, closer down the road to whereby and object is visible on the floor and then is identified as a person, when he begins to wake up. The non- diagetic music that is playing first sounds like an eerie flat note noise and at the moment the person begins to wake up a new tune is introduced which sounds like spring music or sounds of life, blooming and blossoming.
From the opening sequence of up to 2.15 it is not apparent, of what the story line is, or who this film should be aimed at and nor does the title give any sense of knowing or knowledge.



Ultimately, I am not really very fond of the opening, there is nothing substantial there will appeal to me to want to continue watching and also feel that there is not much analyse. However this simplicity could portray a minimal greatness about the film, which will later develop into something thrilling but judging by the opening there is not much I can say that invites me.

Opening Sequence 2 - Gothika

Gothika

The film openings with credits to the production companies and starts off with the titles of who is starring in this film: Halle Berry, flowed by the title of the film. There is use of an audio j-cut and then the audience are presented to a blurred image of the first character who is retelling her thoughts to the protagonist. From the opening scene, we are initially directed to view this woman recounting something and we are forced to watch her because we are presented with a “Point Of View” shot however I don’t think it would be clear to identify the protagonist, through this short scene. The two women’s conversation is then presented to the audience, with a combination of POV’s and shot reverse shots and then a shot that incorporates both characters from a side profile adhering to the 180 degree rule. From the opening titles there is music which creates suspense through its crescendos and chromatic sounds. The storyline is not wholly explained but the theme of women being oppressed by men is the initial sentence that the audience are directed to which indicates that this could be the main motif in this film.
From the initial close- up shot we get of both characters’ we realise that are antithesis of each other: in their colour tone, one has radiance about her and bring lighting and the other is made to look pale and dark shadows engulfing her face and only captures light when she leans into it. The protagonist (black woman, Halle berry) is can and collected throughout this conversation but the other woman is not.

Apart from the initial blurring there are no other editing techniques other that standard cuts which addressed the continuity aspect

This film is probably directed to an older audience because from the beginning we get the impression that it is a dark film of sinister and psychological events due to what the woman is saying and the mise – en scene of the location seems to illustrate a detention centre of some sort. I would estimate it to appeal to the region of 15 and above or 18 and above.



In conclusion, I did enjoy the beginning but didn’t like the use of subtitles at the bottom because it distracted me a little.

Opening Sequence 1 - Secret Window

The Secret Window

The film cuts straight to the action and the protagonist of the film with a head and shoulders shot, with his face in most of the frame for a large proportion of the opening sequence. The first voice we are given is the one from inside of the protagonist’s head. This concept of thoughts and voices is similar to the style I am trying to generate, but I may choose to do this theme is a different way. The camera makes an effort to ensure that the frame is centred around the protagonist and his actions, whether that is a head and shoulders shot or long shot (when he grabs the keys from the motel room, when he reverses back to the motel, or when we see him walking into the room.) At one point he camera is positioned in such a way, to make it feel like a point of view shot, but then once the protagonist moves from inside the car to outside we instantly feel like the omniscient viewer against but who is left in the car for a while. The opening sequence brings moments of suspense as we are not given the whole entire picture of where the character is, what they are doing, etc. Thus this makes the audience hooked already, within the first minute and a half. It is this type of feeling that I want to capture to make sure it appears to be an opening of a film rather than a two minute short movie. From this beginning I think it is not really possible to denote what target audience it is aimed for especially if you are unaware of the storyline. However, due to the fact that a man and women are in bed together, I don’t think the intentions would be to aim it 12 or under, even though there may not be any scene which highlight this nature in the rest of the film. There were minimal props used but, relevant items to protagonist: his glasses, builds the understanding of the character and also, when he steals the room key from the motel reception is vital in allowing him to discover the truth about the female and male character in the room. At the beginning there is no music but the atmos’ of the inside of the car, although the audience is outside. Then is just the diagetic sounds of the protagonist breathing, putting the car into gear, opening the door etc. There is an underlying and subtle piece of non-diagetic music which soon takes priority when the protagonist opens the motel room door and all three characters are shouting and screaming but only a faint scream of the protagonist is heard. Within the editing aspect there are many just cuts which are tied together to add to the continuity side.



Overall I enjoyed the opening sequence due to the main fact that it captured my attention

Thursday, April 2, 2009

Editing programs

To edit and upload our films, we were required to use "Serif Movie Plus 5". Seeing as this was the first time that anyone had used this software before, we were asked to go through the tutorial and follow the step by step, to get an understanding of how we were going to use it. Through the tutorial, there were examples of how to perform the basic functions which were: cutting, cross fading, adding text, slow motion and speeding up.
These are the main things that were used through editing my films. This caused some problems as there were sometimes when I wanted to, for example put the credits over the action of my film, but due to the fact I didn’t have much experience nor the knowledge to be able to do this, despite endless efforts of trying to, I decided to just abort this idea and create a different idea.

Overall, I believe that my editing skills are reasonable, as I believe I am able to identify anomalous props and character actions which allow the footage to maintain a very good continuity edit.

Story idea feedback

Our first source of feedback, stemmed from a class group workshop where our teacher put us into groups of four, to view each other’s work and give suggestions on what should be done to improve.

For my viewing session, the critics were made to watch the film without the use of sound, due to the complications that I had with incorporating it. I allowed them to watch it once without the details of the storyline, then before the second viewing I explained the concept to them. On the first viewing, the lack of sound inhibited them from understanding the full complex plot. Then on the second viewing, they suggested that I should try to make it concise the relevance of the establishing shots. Also at the end the titles should be equal in the length in which they play and in doing this, they also should be a bit slower. The titles had the transition of a cross- fade and it was noted that, once of these were too fast and should be smoother.

I then decided to ask some teachers who don’t teach media to analyze and be critical of my film and give me advice on some of the elements that I could adapt and change it.
General comments were: “it was imaginative, thought- provoking, creative, capturing, and the drama was well- delivered to give the impression that it was a person within another person’s mind.” When I posed the question on whether there was anything I would do to improve, it was said that “from my point of view, as I am not skilled in the media field, there is nothing that I would suggest improving.”

I also decided to get the view of my family members. First I asked my dad about any criticism he had when first examining the film. He recommended that when incorporating the sound, to make the establishing shots more significant, I should add the chiming of a bell at each moment the shot changes to enhance the spin chilling affect that I am trying to captivate, with this particular genre. In addition, I should disjoint the initial cut-away shots, to reflect on the distressed state of the protagonist’s mind.

From this feedback and experience I think this has made me more driven to make such a complex storyline clear and perhaps this could be fulfilled best through the music I add and sound which is incorporated.

Thriller Conventions - How they relate to my film

To get a better grasp of how I should portray my film and to make sure it follows the right guidelines which enable it to be classed as thriller, i researched the some of the typical conventions of this genre.

• A crime at the core of the narrative (often murder, but not necessarily).
• A complex narrative structure, with false paths, clues and resolutions
• A narrative pattern of establishing enigmas which the viewer expects to be resolved.
• A protagonist who is systematically dis-empowered and drawn into a complex web of intrigue by the antagonist.
• Extraordinary events happening in ordinary situations
• Themes of identity
• Themes of mirroring
• Themes of voyeurism
• Protagonist with a ‘flaw’ which is exploited by the antagonist
• Titles often reflect an aspect of the pro/antagonist’s psychological state.
• There is often a scene near the end of the film in which the protagonist is in peril
• Mise en scene which echoes/ mirrors the protagonists’ plight.

Whilst comparing my film to the stated conventions above, I believe that there are various aspects which entitle the opening sequence to conform to this genre.
The most prominent feature which allows the film to abide by the thriller conventions is the fact that the narrative is extremely complex and is also structured to leave the viewers with a pattern of enigmas. The establishing shots of my film depict the fact that this plot is centered on an ordinary location but is infused with extraordinary events (low – angled medium shot of the door, swinging opening by itself). Within the opening of the film, the focal prop that is used is the mirror- to indicate something sinister and also to highlight the antagonist, who in reality cannot be seen through mirrors. Once the audience is introduced to the antagonist, they immediately are shown the theme of voyeurism through the close up shot that panning left, which revealed the antagonist watching the protagonist. However some of the other aspects of the thriller are not able to be illustrated through the two minute time constraint which means the viewers are not able to witness the “ scene near the end of the film in which the protagonist is in peril” and are also not presented with the “ protagonist’s ‘flaw’ which is exploited by the anatagonist.” In addition to the fact that the film represents the opening, the last bullet point about the mise en scene echoing the protagonist's plight, is not able to be witnessed due to the way in which i structured the form of the play. I decided to start with the middle first, but is actually the present.

To conclude, i believe that the opening addressed some of the conventions and some didnt but i feel this is justifiable due to the type of genre the opening in aimed to mirror. Moreover as it is a psychological thriller, there would be not much difference between the two slightly different genre's if my film followed everything in which the general thriller required.