Media

Tuesday, March 31, 2009

Constructing the production

Technical decisions and camera shots

To shoot my thriller I had to use my spare time, which was my free lessons to draw up the shooting script. When filming I had to organize a time which was suitable for the actresses. One of the girls’ didn’t attend my school and hers’ was quite far away so and seeing as the location was at my school it became a real difficult in finding time to meet the needs of everyone. These complications forced me to make my second date of filming extremely productive and useful, as I was knew that I wouldn’t get another, relatively close chance to film extra footage.

For the final idea of my film, I new that there weren’t any props that I needed to incorporate within the film so organising props was a problem for me. Also, the main section of the film would centrally take place in the sixth toilets, and I made the conscious decision to ensure that filming would take place after school, so that it filming would not be interrupted. The wardrobe for the actresses were initially something that I believed would cause a problem for me, seeing I was to later piece together the third draft with the final opening sequence, however I later re- evaluated my the idea of my film and understood that with the changing of sequencing of time it would be not be affecting the rule of continuity if I the clothes to not correspond with each other.

The first thing I shot for the establishing shot was of the exterior of the school, to add to the Mise en scene and make the audience aware that this thriller would be set around the lifestyle of a school and school children, thus the reasoning for students leaving the building. Then there are long shots of a hallway and outside and stairs which indicate there is no one around, which just arouses the suspense further. Next appears a medium low angled shot if a door which opens by itself, which indicates and eerie atmosphere of an unknown person/ source/ spirit travelling somewhere. After there is a low angled long shot a character standing in front of a mirror and this shot is only reveals the feet of this person. I done it in this way to bring more suspense to the appearance of the character and what they are doing. It also paves the unconscious understanding that this person is alone in the bathroom – highlight the purpose of the title. Then there is a close up of a face of another character and whilst the camera pans to the main protagonist, this angle and frame gives the sense of quite an eerie tone which is intended to play on the psychological aspect of the audiences’ minds. Next is a shot of the protagonist staring at her reflection in the mirror, which reiterates the point of that she is alone. The mirror is used as a symbolic metaphor to indicate the darkest depth of a person’s inner-self and there is always a myth about if it is broken then is would cast bad luck.

Editing

Once I had finished the filming and the footage was uploaded onto the “Serif” editing software the next process was to begin.
The footage was uploaded as a large chunk, in chronological order of how the film should appear due to the way in which I filmed it. Whilst editing I had to make sure the shots I used were steady when necessary to avoid the portrayal of an amateur film. Also, my film has some camera angles that, on camera, appeared steady but on the large computer screen, were able to see jerky movements. Though whilst I was able to identify these mistakes and able to erase a large majority of them, the shot I weren’t completely happy with, were not able to be reshot, due to the difficulties that I had with arranging shooting days. Some of the shots which were used to add to the mise en scene of the film, such as the long, and wide establishing shot of the front of the school, were shortened to maintain the audience’s attention of the opening of a sequence. Then to make sure that the clips smoothly followed each other, I used transitions such as cross fading.

Wednesday, March 25, 2009

Pre- production plan

The task form the film requires me to produce a film which is to be submitted for solely my own personal assessment. So ultimately despite who I invite to help me, I have already acknowledged that the final result will be a reflection of my own creativity. Subsequently, with this understanding I will need to hire people who are best fitted for the roles in which I will need to fill.

Initially, our teacher helped the class to divide ourselves into groups, which would act as a support for each other when it came to making our own film. This also was created due to the limited sources such as editing computers, tape and camera equipment. I was partnered with Sophie Carter and Sandeep Grewal. We informally came to the conclusion that it would be best for the creators of each of the films should adopt the role of the camera woman also, to obtain the camera shot in which they first envisaged.

Within my film Sandeep, took on the role of observing continuity and Sophie maintaining the time schedules and that the film followed the storyboard. I am director within my group for many reasons: one is that I believe I am assertive and whilst I will have created the idea, I will be the best person to capture the idea initially conjured. Also due to the fact that I am aspiring to become a director, by having this role within my own film, this will provide me with experience.
Due to the fact that, our class had learnt of the conventions of a comedy and thriller and technically had those two options to base our film on, I decided to the cast my film in the genre of a Thriller. Initially I didn’t think of who my target audience would be, but decided to devise a production that if I was the target audience, then I would find it enjoyable.

Thursday, March 19, 2009

Case Study

Homework task: case work study on a British film

For your AS Institutions and Audiences exam, you must be able to talk about a case study of a modern British Film you have studied. You will need to write an essay with these headings. Cut and paste this document into your own Word document and write it down, turning it all into a Powerpoint at the end.




For this task i have decided to use the film 'The children' because on the 26th March our media teacher Mr Gilbert, orgainsed a trip to visit Vertigo Productions to gain more of an insight into the Film industry by having a meeting with the a producer James Richardson and director Tom Shankland
of the film 'The Children'

Whilst on the trip, the class decided that it would fitting to record the day and the events that entailed. I was given the task to film the interview with the two members of the crew and have not yet had the oppourtunity to upload and edit the footage to use the information for the exam in June.

Monday, March 16, 2009

Film certificate

http://www.bbfc.co.uk/recent/index.php?media=film

pg - Contains mild language, violence and sex references
12A - Contains moderate sex references and language
15 - Contains strong language and violence, Contains strong supernatural horror and disturbing images
18 - Contains strong bloody violence and strong sexual violence

Relating film certification to my film

Main Film

This is my post- production film but with the exception of music, due to the fact that i am required to find the right un-copywrighted music on the internet, at home but only capable of uploading this file on at school. In addition, i have not been able to upload the film with sound because the file becomes corrupted and doesn't play properly.

I have decided to upload the footage now, as it stands to get more influence on how i can improve my work, with the help and opinions of my family and friends.

3rd draft of main film

27th February 2009

Today when speaking to one of my teachers I realized that the footage I had previously filmed for my ‘Main film’ would not be adequate for the coursework because when it edited it would be too long and the beginning would not capture the depth of my psychological thriller. Instead the two minute footage would confuse the audience and not capture the whole idea. In saying that, I have not decided to delete anything or discontinue with the completion of the film, as it would be useful to the show reel that I am working towards to create, intern I have conjured a new idea for the beginning that would entice the audience whilst grasping a section of the plot. So, due to time constraints my teacher has set I will have to explain the situation to the head of department and focus on filming and finishing the opening of my film instead of trying to complete the other parts which will only be for my personal use.


The new idea for the opening is:

- First we see the protagonist standing in front of the mirror gazing at herself (alone in the reflection- which will be a behind the shoulder shot)

- Then the protagonist looks over her shoulder for the audience to see a her alter-ego standing behind her

- She looks back to the mirror whilst her alter- ego stands there watching her intensely and emotionless, though not having any affect on the other girl.

- That fades out into a sequence of different types of security cameras, gradually the sequence getting quicker until it blacks out and the beginning of my original film starts.

Friday, March 13, 2009

Script breakdown of Third draft



Character List:

Teacher : Mr Bently
Mother
Shania
Tia
School children + 10
Doctor voices (not seen)

Plot

Teenage girl who recently has been suffering from extreme pressure, from school and domestic issues, as a result she has developed schizophrenia. As a side affect she has conjured an imaginary best friend and the audience are only aware of this at the end of the movie. During the self –revelation of her condition she realises that she has killed her teacher.

Ext. Playground

Shot of children’s feet running around.

Int. Unknown room

This shot is through the lens of a grainy old security camera.

A school girl walks in the room and stands over the body which is in a pool of blood. The person turns around and looks at the camera.

Shot changes to the image of the security camera and then a close up of the lens.

Int. Classroom

The lens image and merges into a shot of a person’s eye. (Tia)
Pan out to reveal the character slumped on the table, bored and sitting next to a girl who is quite perky and attentive.
The next shot is a wide shot from the back of the class which indicates – to the audience- they are in a classroom.

Then the character Tia has a flash back.

Int. House (any room)

Mum in front of Tia shouting

Mum: Listen Tia, I’ve been getting phone calls from your school saying that you are well underachieving in all you other a levels. I will tell you now. Don’t think you will ever being study that… media thing you want to do if you don’t get A *’s in ALL of your subjects! Are you…..

(Teacher’s voice morphs into the mother’s)


Int. Classroom

There is an initial establishing shot is from the side profile of Tia and the teacher leaning over the table.
The next shot is a shot reverse shot from behind the teacher
Teacher: Are you listening… Tia! Oh daydreaming again I see.

(Medium shot of Shania with the profiles of Tia and the teacher as Shania, slumps back into the chair, folding her arms and rolling her eyes. Then back to the establishing shot.

(Point of view shot – teacher close into the frame) Let’s be truthful do you really think you going to achieve anything in life with that kind of atrocious attitude, young lady. Establishing shot) You sit there thinking you bloody know it all, with that stupid smug look on your face, you’re pathetic-

Shania: You know what… Mr BENT , Oh I mean Mr (aggressively and accentuates) Bently, I just had enough of, you always having some fucking thing to say. No one wants to hear it… (Leans on table edging closer to the teachers face) so SHOVE it where the sun don’t shine... Oh you already have.

Shania stands up and slams her chair into the table. She turns back and motions for Tia to follow. They leave the classroom with the peers in total shock and silence. Shania stride out of the room while Tia lingers behind with a more reserved body language.

Blackout

Voice over of Doctor: It’s the third time this month Tia, that you’ve had a blackout, I can’t see any sign of any physical sign of a problem

Voice of Tia: What you mean… like inside of me.

Int. Bathroom

Tia recovers on the floor of the bathroom in the arms of Shania. Shania doesn’t seem fazed, giving the audience the illusion that she has experienced this before.

Shania: (calmly) Go and wash you face babe.

Tia does what she is told and follows Shania out of the door.
Once the door is closed the camera reverts back to the sink that once appeared clear and reveals bloody water. It is from this point onwards, where the audience should start to get an awkward and sinister feeling.

Int. Hallway

Tia: So how long was I out for?
(Silence)
: Shan… What’s wrong?
(Silence)
: Why are you not talking to me? (They enter a classroom)

Int. Classroom

They take a few steps inside (the camera pans left; behind the two students and reveals a body on the floor)
(The horrified reaction on Tia’s face is shown)
(Flick to a medium shot of the calm and nonchalant Shania gazing at the body.)

Shania: (frustrated) Stop crying. I don’t know why you’re trying to block out what you’ve done.

Tia: (Stutters) what… you mean… I’ve done?

Flash of images and the audience are taken to the flashback of…

Int. Unknown room

This shot is through the lens of a grainy old security camera.

A school girl walks in the room and stands over the body which is in a pool of blood. The person turns around and looks at the camera. This time we realise the person in the camera is wearing a broach. Once we immediately capture the item (jump back to a real- time extreme shot of the same broach).

Tia instantaneously touches her broach and stains it red. (Extreme close up as we witness the stage of realisation) She screams and grabs her face (medium shot) – smearing blood on it. Feeling the moisture on her skin, she looks at her hands (extreme close up) which is covered in blood.

She pants and stutters and she starts to mouth words as if she is going to call for Shania.

Tia: Sha…

(Point of view shot) the camera spins around searching for Shania.
(Repeated Arc shot) As Tia continuously screams
Wide shot – She runs for the door and frantically tries to open it. (Close up of the door handle turn red) – The noise of keys is present at this point

(Extreme close up of her hand going inside her pocket and withdrawing a key)- Which also turns red.) Close up of the confused look on Tia’s face.

Production Team
Azzees
Chidi
Titi
Kit

Initial draft of idea two

Mr Gilbert – 2min film

(Once i analysed the initial draft. I decided to alter a few bits to make it much more interesting.)

This film adopts the genres of a teen movie with a supernatural thriller twist. It is about a female student called Shania who has undiagnosed schizophrenia which everyone believes is just a bad anger problem that has unnoticeably formed due to extreme stress. The pressure has formed because she is an intelligent girl with high ambitions to become and TV and film director but her mum won’t allow her unless she obtains A grades. It’s not until her so called anger problem, spirals out of control and regrettably forces her do something that is not within her nature and will leave her in front of unforgiving jurors. Her truth is revealed by the least expected circumstance but will anyone understand her problems, will she reach her goals?

Ever heard the saying ‘The walls have ears’? Well the objects around you have eyes, so beware!

Title = ( undecided)

1. CCTV camera mode= person standing over a body which is slumped on the floor with a pool of blood the person turns and looks directly at the camera
2. (point 1) fades into Extreme close up of the security camera
3. Track closer to focus on the lens (extreme close up)
4. Fade in an image of the characters (female’s) eye (merge into the number 2)
5. Zoom out of the eyes and reveal the whole body of the character (in a daze)
6. Flick to shot reverse shot with profile in frame and Shania is still focused on the camera….We hear one of her voices.
7. Go into a memory which is an argument with her mum. It is interrupted with the voice of the teacher merging over the mothers
8. We then are back to the classroom scene where the teacher tries to gain her attention and starts making rude comments
9. Point of view shot staring at the teacher – and we hear two of the thoughts in Shania’s mind
10. Shot reverse shot- behind the teacher as he makes a derogatory remark …so we can see the anger/ reaction in her face.
11. Point of view shot- voices get louder and the teachers face gets closer
12. Side shot of Shania getting mad and standing up to the teacher.
13. Wide shot and the front of the class observing the other children and the incident.
14. Shot reverse shot – behind Shania she sees the boys who owns the camera laughing and making face at her behind the teachers back and turns on him.
15. Wide shot from the front of the class where a female on the left shouts out tells Shania to keep quite and an argument kicks on with them
16. wide shot from the front – as Shania walks out of the classroom in a rage and makes a menacing comment
17. Monologue as the screen goes black
18. point of view shot- as she throws water on her face
19. Looks in the mirror while voices are still talking to her
20. Travelling shot- to the classroom
21. point of view shot- glances back to the body and then turns to the camera
22. notices that the tape holder is open

Primary Plan

Plan one – Mr Gilbert (2min)

This plan was the primary draft that i concocted for this task.

Extreme close up of the camera
1. Track closer to focus on the lens (extreme close up)
2. Fade in an image of the characters (female’s) eye (merge into the number 2)
3. Zoom out of the eyes and reveal the whole body of the character
4. Flick to shot reverse shot with profile in frame still focused on the camera
5. Background sound increases diagetic and non- diagetically and on the right in her peripheral vision, the actors rehearsing are focused on/
6. She -protagonist – stands up exchanges a few words with the group with intern make them exit frame (stage left)
7. Meanwhile the teacher walks half across frame in the background
8. The girl jumps up and runs to teacher ….(dialogue)
9. After the conversation the student storms off in a rage
10. She ends up in the locker room
11. The student sees another student (male) in her class and they discuss the class work and walk back towards the classroom.
12. When they get to the room and argument erupts
13. (NOT SURE) Audience see the fight and asthma that kills him or it should be a blur and a soliloquy could take over (NOT SURE)
14. She goes into the bathroom throws water in her face and talks to herself in the mirror.
15. Goes back into the classroom to steal the camera and realises the tape case is open.
16. There is a flashback of the account of her day and in her memories she remembers that the red light WAS on before.
17. The realisation of the trouble that she was in enveloped her face (close up)
18. Extreme close up of her eye bulging/widening.
19. Title appears.

At the same time i was stuck in two minds about the ending so i devised this plan also, which could give me variety and i could find out what my target audience would prefer out of the two. Then from that research i would keep redrafting plans and ideas until i came across an idea that i was satisfied with and also believed that identified and achieved the brief efficiently, effectively and to my highest standard.

1. Extreme close up of the camera
1. Track closer to focus on the lens (extreme close up)
2. Fade in an image of the characters (female’s) eye (merge into the number 2)
3. Zoom out of the eyes and reveal the whole body of the character
4. Flick to shot reverse shot with profile in frame still focused on the camera showing the whole of the class and teacher at the front dismissing the class
5. Everyone leaves… protagonist tries to steal the camera
6. Owner of the camera comes back in the middle of the theft.
7. Fight breaks out…Girls pushes the boy and he starts to have an asthma attack.
8. When he is on the floor he tries to clutch for his pump.
9. She throws it out of the window then storms off.
10. She goes into the bathroom throws water in her face and talks to herself in the mirror.
11. Goes back into the classroom to steal the camera and realises the tape case is open.
12. There is a flashback of the account of her day and in her memories she remembers that the red light WAS on before.
13. The realisation of the trouble that she was in enveloped her face (close up)
14. Extreme close up of her eye bulging/widening.
15. Title appears.

Wednesday, March 4, 2009

Classical Conventions....

Classical Conventions of a Horror my film

After one media class discussing conventions of the genre of film, I went home and starting researching the classic conventions of a Horror film – the genre I had chosen- so I could make sure that my film also adhered to some of the characteristics of this particular genre. In doing so, this would also help give me an idea of the type of certification I would have to give my film.

I first stumbled onto this site and thought that some of their information was useful, for me to understand what the audience expects to see in such a film: http://www.filmsite.org/horrorfilms.html

“Horror Films are unsettling films designed to frighten and panic, cause dread and alarm, and to invoke our hidden worst fears, often in a terrifying, shocking finale, while captivating and entertaining us at the same time in a cathartic experience. Horror films effectively center on the dark side of life, the forbidden, and strange and alarming events. They deal with our most primal nature and its fears: our nightmares, our vulnerability, our alienation, our revulsions, our terror of the unknown, our fear of death and dismemberment, loss of identity, or fear of sexuality.

Whatever dark, primitive, and revolting traits that simultaneously attract and repel us are featured in the horror genre. Horror films are often combined with science fiction when the menace or monster is related to a corruption of technology, or when Earth is threatened by aliens. The fantasy and supernatural film genres are not synonymous with the horror genre, although thriller films may have some relation when they focus on the revolting and horrible acts of the killer/madman. Horror films are also known as chillers, scary movies, spookfests, and the macabre.”


From this, I can recognize that my film will conform to the ‘design… to cause dread… and invoke our hidden worst fears’. I created this idea mainly because this is the type of film I enjoy to watch, however I am aware that when making my film, I have to ensure that it meets the needs of the audience who will be viewing it. To identify the thrills people my age also enjoy, I will create a short and brief questionnaire once I have gathered adequate information about the classical conventions of the genres.

Inspiration for my film

Researching for the film which gave me inspiration for my film, drew me to the movie 'FIGHT CLUB'



"Fight Club is a 1999 American feature film adaptation of the 1996 novel of the same name by Chuck Palahniuk. The film was directed by David Fincher and follows a nameless protagonist (Edward Norton), an everyman and an unreliable narrator who feels trapped with his white-collar position in society. The narrator gets involved in a fight club with soap salesman Tyler Durden (Brad Pitt) and becomes tangled up in a relationship triangle with Durden and a destitute woman, Marla Singer (Helena Bonham Carter).

Palahniuk's novel was optioned by producer Laura Ziskin, who hired Jim Uhls to write the script for the film. Several directors were sought to film Fight Club; David Fincher was hired to direct based on his interest in the project despite his previous difficulties with the studio 20th Century Fox. Fincher worked with Uhls to develop the script, seeking advice from others in the film industry and his own cast members. Fincher described Fight Club as black comedy that applies heavy satire; he and the cast also compared the film to Rebel Without a Cause (1955) and The Graduate (1967). Thematically, the film was intended to represent the conflict between a generation of young people and the value system of advertising. The film's use of violence in the fight clubs was intended to serve as a metaphor for feeling based on the generation's conflict. The director carried homoerotic overtones over from Palahniuk's novel to implement in the film, believing that the overtones would make audiences uncomfortable and thereby keep them from anticipating the twist ending.

Studio executives were not receptive to the film, and they altered Fincher's intended marketing campaign to try to recoup perceived losses. Fight Club failed to meet expectations at the box office, and the film received polarized reactions from film critics. The film was cited as one of the most controversial and talked-about films of 1999. It was perceived as crossing a milestone for visual style in cinema and introducing a new mood in American political life. The film later found commercial success with its DVD release, which established Fight Club as a cult film. The film has also permeated American society, inspiring people to set up fight clubs. " - (taken from Wikipedia = http://en.wikipedia.org/wiki/Fight_Club_(film))

Despite the information given to me from the last paragraphyi still decided that the plot of this film is explosive to say the least and excites and enthralls me from the beginning. That said, i wanted to capture this same sort of complex plot through my MAIN film.

"The narrator (Edward Norton) is an automobile company employee who travels to accident sites to perform product recall cost appraisals. His doctor refuses to write a prescription for his insomnia and instead suggests that he visit a support group for testicular cancer victims in order to appreciate real suffering. When he attends the group, the narrator allows himself to weep as a form of emotional release. He is then able to sleep soundly and subsequently fakes more illnesses so he can attend other support groups in order to get out his pent up emotions through crying. The narrator's routine is disrupted when he begins to notice another impostor, Marla Singer (Helena Bonham Carter), at the same meetings and his insomnia returns.

During a flight for a business trip, the narrator meets Tyler Durden (Brad Pitt), who makes and sells soap. The narrator arrives home to find his apartment has been destroyed by an explosion. He calls Tyler and meets him at a bar. Tyler agrees to let the narrator stay at his home on the condition that the narrator hits him. The narrator complies and the two end up enjoying a fist fight outside the bar. The narrator moves into Tyler's dilapidated house and the two return to the bar, where they have another fight in the parking lot. After attracting a crowd, they establish a 'fight club' in the bar's basement.

When Marla overdoses on Xanax, she is rescued by Tyler and the two embark upon a sexual relationship. Tyler tells the narrator never to talk about him with Marla. Under Tyler's leadership, the fight club becomes "Project Mayhem," which commits increasingly destructive acts of anti-capitalist vandalism in the city. The fight clubs become a network for Project Mayhem, and the narrator is left out of Tyler's activities with the project. After an argument, Tyler disappears from the narrator's life and when a member of Project Mayhem dies on a mission, the narrator attempts to shut down the project. Tracing Tyler's steps, he travels around the country to find that fight clubs have been started in every major city, where one of the participants identifies him as Tyler Durden. A phone call to Marla confirms his identity and he realizes that Tyler is an alter ego of his own split personality. Tyler appears before him and explains that he controls the narrator's body whenever he is asleep.

The narrator faints and awakes to find Tyler has made several phone calls during his blackout and traces his plans to the downtown headquarters of several major credit card companies, which Tyler intends to destroy in order to cripple the financial networks. Failing to find help with the police, many of whom are members of Project Mayhem, the narrator attempts to disarm the explosives in the basement of one of the buildings. He is confronted by Tyler, knocked unconscious, and taken to the upper floor of another building to witness the impending destruction. The narrator, held by Tyler at gunpoint, realizes that in sharing the same body with Tyler, he is the one who is actually holding the gun. He fires it into his mouth, shooting through the cheek without killing himself. The illusion of Tyler collapses with an exit wound to the back of his head. Shortly after, members of Project Mayhem bring a kidnapped Marla to the narrator and leave them alone. The bombs detonate and, holding hands, the two witness the destruction of the entire financial city block through the windows."

(http://en.wikipedia.org/wiki/Fight_Club_(film)

I believe that the reason why critics review it negatively, is because it didnt suit the era in which it was created in hence it was not appreciated fully, or i could just personally like it and enjoy watching complex films. Ultimately, the film feeds through with some moralising messages:

"Fight Club is a metaphor for the need to push through the walls we put around ourselves and just go for it, so for the first time we can experience the pain."
—Brad Pitt[21]

The Film fundamental stood on its own values, ideas and concepts, and through this filmmakers perception, they are:


"Director David Fincher described Fight Club as a black comedy that applies heavy satire.[15] To avoid a potentially sinister nature, Fincher purposefully kept the film "funny and seditious",[17] while Norton described the film as a "dark, comic, sort of surrealist look" at young people's failures to interact with the value system of which they are expected to be a part"

Below is just the details about the movie:
Directed by David Fincher
Produced by Art Linson
Ross Grayson Bell
Cean Chaffin
Written by Novel:
Chuck Palahniuk
Screenplay:
Jim Uhls
Starring Edward Norton
Brad Pitt
Helena Bonham Carter
Music by Dust Brothers
Cinematography Jeff Cronenweth
Editing by James Haygood
Distributed by 20th Century Fox
Release date(s) October 15, 1999
Running time 139 min.
Country United States
Language English
Budget US$63 million
Gross revenue US$100,853,753

Classwork

Developing and improving upon your main task.

L.o: TO learn how using the 'close - up' can improve your film- making.


( I had not yet devised an idea for my main film, so the examples listed are ones from my preliminary film.)

When have you used the close-up in your current 2 minute movie?
- To show the protagonist is listening to an ipod
- When the character is revealed for the first time.

Why have you used it?
- Indicate that the sound is diagetic and non- diagetic
-To show the facial expressions of the character

what effect does it have?
- creates a link to the genre
-It create suspense for the audience as they dont know why he is so uneasy.

Things i learnt this lesson:

-How close - up shots evoke emotions which can be linked to genres & visual references.
- creates reversal - is important turning point a change of fortune or luck.

Aristole said best ones occur at the same time of a discovery or moment of realisation which changes their actions for the better or worst: '39 steps'.


In my film at the end is when the reversal occurs as it is when the protagonist realises that she was the one who murderd the victim, and that she doesnt have a best friend at all, but her imagination.

I am creating this so the audience experience the character's revelating moment simultaneously, which i personally find more enjoyable when watching a movie.